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The New Biographical Dictionary of Film is a reference book written by film critic David Thomson, originally published by Martin Secker & Warburg Ltd in 1975 under the title A Biographical Dictionary of Cinema. Organized by personality, it is an exhaustive inventory of those involved in international cinema, whether contemporary or historical, elite or esoteric, "from Abbott and Costello to Crumb's Terry Zwigoff", in the words of critic Richard Corliss. Beyond its scope, the tome is most notable for infusing subjectivity into its fact-based form; the technique may best be described as a playful deconstruction of the "reference book." Thomson's writing is highly personal, as he mixes biography and criticism with his own memories of seeing the films he describes: "The Third Man has one of th

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dbo:abstract
  • The New Biographical Dictionary of Film is a reference book written by film critic David Thomson, originally published by Martin Secker & Warburg Ltd in 1975 under the title A Biographical Dictionary of Cinema. Organized by personality, it is an exhaustive inventory of those involved in international cinema, whether contemporary or historical, elite or esoteric, "from Abbott and Costello to Crumb's Terry Zwigoff", in the words of critic Richard Corliss. Beyond its scope, the tome is most notable for infusing subjectivity into its fact-based form; the technique may best be described as a playful deconstruction of the "reference book." Thomson's writing is highly personal, as he mixes biography and criticism with his own memories of seeing the films he describes: "The Third Man has one of the most intense atmospheres the screen has ever delivered--seeing it again always brings back the scent of the grandmother who took me to see it." It is currently available in its sixth edition, released in May 2014. The New Biographical Dictionary of Film has garnered wide acclaim throughout the releases of its various editions; in a 2010 poll by the British Film Institute in Sight & Sound, it was voted the greatest of all books about film. (en)
dbo:author
dbo:dcc
  • 791.4302/8/0922 22
dbo:isbn
  • 0-375-70940-1
dbo:lcc
  • PN1998.2 .T49 2004
dbo:literaryGenre
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  • 1008 (xsd:positiveInteger)
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  • 57691971
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  • 2004-11-16 (xsd:date)
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dbp:caption
  • Cover of the 2004 paperback edition, featuring a still from the film To Have and Have Not (en)
dbp:congress
  • PN1998.2 .T49 2004 (en)
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  • United States (en)
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  • 791.430200 (xsd:double)
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  • The New Biographical Dictionary of Film, Fifth Edition (en)
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  • 0 (xsd:integer)
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  • English (en)
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  • The New Biographical Dictionary of Film (en)
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  • 57691971 (xsd:integer)
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  • 1008 (xsd:integer)
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  • A Biographical Dictionary of Film, Third Edition (en)
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  • 2004-11-16 (xsd:date)
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  • Knopf
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  • The New Biographical Dictionary of Film is a reference book written by film critic David Thomson, originally published by Martin Secker & Warburg Ltd in 1975 under the title A Biographical Dictionary of Cinema. Organized by personality, it is an exhaustive inventory of those involved in international cinema, whether contemporary or historical, elite or esoteric, "from Abbott and Costello to Crumb's Terry Zwigoff", in the words of critic Richard Corliss. Beyond its scope, the tome is most notable for infusing subjectivity into its fact-based form; the technique may best be described as a playful deconstruction of the "reference book." Thomson's writing is highly personal, as he mixes biography and criticism with his own memories of seeing the films he describes: "The Third Man has one of th (en)
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  • The New Biographical Dictionary of Film (en)
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  • The New Biographical Dictionary of Film (en)
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