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PrefixNamespace IRI
n6http://www.w3.org/2003/06/sw-vocab-status/ns#
mohttp://purl.org/ontology/mo/
n4http://ods-qa.openlinksw.com:8896/about/id/entity/http/purl.org/ontology/mo/
pwdrhttp://www.w3.org/2007/05/powder-s#
rdfshttp://www.w3.org/2000/01/rdf-schema#
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n8http://purl.org/vocab/frbr/core#
owlhttp://www.w3.org/2002/07/owl#
xsdhhttp://www.w3.org/2001/XMLSchema#
Subject Item
mo:MusicalExpression
rdf:type
owl:Class
rdfs:subClassOf
n8:Expression
rdfs:comment
The intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, etc., or any combination of such forms. For example: Work #1 Franz Schubert's Trout quintet * Expression #1 the composer's score * Expression #2 sound issued from the performance by the Amadeus Quartet and Hephzibah Menuhin on piano * Expression #3 sound issued from the performance by the Cleveland Quartet and Yo-Yo Ma on the cello * . . . . The Music Ontology defines the following sub-concepts of a MusicalExpression, which should be used instead of MusicalExpression itself: Score (the result of an arrangement), Sound (produced during a performance), Signal. However, it is possible to stick to FRBR and bypass the worflow mechanism this ontology defines by using the core FRBR properties on such objects. But it is often better to use events to interconnect such expressions (allowing to go deeply into the production process - `this performer was playing this particular instrument at that particular time').
rdfs:isDefinedBy
mo:
rdfs:label
musical expression
pwdr:describedby
n4:MusicArtist n4:ED2K n4:Signal n4:Transcription
n6:term_status
unstable
mo:level
1